EMALIE BINGHAM

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EMALIE BINGHAM, Can't Shake off your Glow

Mixed media on canvas, 60 x 60 cm

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EMALIE BINGHAM, Chicken or Fish?

Mixed media on canvas, 100 x 100 cm

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EMALIE BINGHAM, Emigration Elation Endurance Education Eating Environment Endangered Everything

Mixed media on canvas, 152.5 x 152.5 cm

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EMALIE BINGHAM, Find the End of your Rainbow

Mixed media on canvas, 152.5 x 152.5 cm

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EMALIE BINGHAM, Grace and Veg (with a side of bacon)

Mixed media on canvas, 140 x 140 cm

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EMALIE BINGHAM, Judas and Other Kissers

Mixed media on canvas, 190 x 140 cm

EMALIE BINGHAM, Kidney-16 (Huang Shu)
Mixed media on canvas

AGAINST INTERPRETATION Everard Read London (53)

AGAINST INTERPRETATION Everard Read London (52)

AGAINST INTERPRETATION Everard Read London (54)

Everard Read Summer show 2021 Dan Weill Photography

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EMALIE BINGHAM, Kidney-16 (Huang Shu)

Mixed media on canvas, 100 x 100 cm

Emalie Bingham presents one of her signature edgy, hand-drawn abstractions characterised by energetic brushstrokes, complex patterns and jittery scribbles that fascinate the eye. Bingham’s work is satirical, humorous and self-reflexive and this work entitled, Kidney Huang Shu, alludes to the artist’s interest in Eastern medicine and remedies.

Contact: info@everardlondon.com

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EMALIE BINGHAM, Rebellious Qi (V)

Mixed media on canvas, 50 x 64 cm

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EMALIE BINGHAM, Rebellious Qi (IV)

Mixed media on canvas, 50 x 64 cm

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EMALIE BINGHAM, Rebellious Qi (III)

Mixed media on canvas, 50 x 64 cm

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EMALIE BINGHAM, Rebellious Qi (II)

Mixed media on canvas, 50 x 64 cm

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EMALIE BINGHAM, Rebellious Qi I

Mixed media on canvas, 90 x 120 cm

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EMALIE BINGHAM, Thummim

Mixed media on canvas, 60 x 60 cm

EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom I
Mixed media on canvas

Emalie Bingham, Past is a Folly... I, Mixed Media, 120 x 120 cm

Everard Read London Summer 2022, Damian Griffiths Images, LR (13)

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EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom I

Mixed media on canvas, 120 x 120 cm

Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.

EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom II
Mixed media on canvas

Emalie Bingham, Past is a Folly... III, Mixed Media, 120 x 120cm

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EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom II

Mixed media on canvas, 120 x 120 cm

Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.

EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom III
Mixed media on canvas

Emalie Bingham, Past is a Folly...II, Mixed media, 120 x 120 cm

Everard Read London Summer 2022, Damian Griffiths Images, LR (15)

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EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom III

Mixed media on canvas, 120 x 120 cm

Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.

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