EMALIE BINGHAM, Emigration Elation Endurance Education Eating Environment Endangered Everything
Mixed media on canvas, 152.5 x 152.5 cm
Emalie Bingham presents one of her signature edgy, hand-drawn abstractions characterised by energetic brushstrokes, complex patterns and jittery scribbles that fascinate the eye. Bingham’s work is satirical, humorous and self-reflexive and this work entitled, Kidney Huang Shu, alludes to the artist’s interest in Eastern medicine and remedies.
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EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom I
Mixed media on canvas, 120 x 120 cm
Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.
EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom II
Mixed media on canvas, 120 x 120 cm
Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.
EMALIE BINGHAM, The Past is a Folly, the Present is a Fire, the Future is a Mushroom III
Mixed media on canvas, 120 x 120 cm
Emalie Bingham uses pattern-making and surface design as a medium through which she interrogates societal patterns and conventions. For Bingham, drawing provides both refuge and stimulation, detachment from and an intense connection to the world around and within her. She describes it as the ultimate meditation, enabling her to both accept her limitations and use her practice to transcend them. Her paintings are striking compositions created from her hand-drawn designs which are often edgy, satirical, humorous and self-reflexive.
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.