Dylan Lewis | Recent Leopard Maquettes

Muloongo Muchelemba takes a tour of our WINTER 2022|23 Exhibition.

The unveiling of Lionel Smit’s Morphous as a permanent installation in Kennedy Plaza, Providence known as The Creative Capital on November 28, 2022 was made possible by the American Recovery Protection Act in collaboration with The Avenue Concept,  Mayor of Providence, Jorge O. Elorza and PVD Art Culture and Tourism.

Congratulations to Lady Skollie, winner of the 2022 Standard Bank Young Artist Award for Visual Arts.

Bronze, Steel and Stone at Riverhill Himalayan Gardens features in the July Edition of Kent Life Magazine.

This outdoor sculpture exhibition continues the gallery’s practice of presenting sculpture in spectacular landscapes where they can be appreciated in a natural setting.

June 1 – September 25, 2022.

This summer, The National Horseracing Museum will be exhibiting a series of paintings by John Meyer about Her Majesty, Queen Elizabeth II, in her Platinum Jubilee year. Comprising 11 paintings about Her Majesty, the collection explores her life from childhood to Sovereign focusing on her love of country, family, horses and corgis and her dedication to her duty.

An exquisite example of South African artist, Nic Bladen's botanical bronze sculptures is currently on show in an exhibition at the Palais des Beaux-Arts de Paris, running from June to September 2022.

Press: | Brett Murray talks with Caterina Pereira and Alexander Matthews of Tongues.cc about free speech, social media and his latest exhibition with Everard Read London, Limbo.

Sat in the gallery of Everard Read London, the pair talk through the colour and light of South Africa that comes through in the artist’s paintings, the poetic titles of Let there be Light, and the musical inspiration behind the work.

‘Well this work here at the Everard Read gallery absolutely sings with life and you can hear the music, you can see the figures dancing to it and moving to it, the colour just pops out at you’.

Okuro uses Fleeting Moment, an artwork made for Hartslief’s recent exhibition with Everard Read London, Shadows and Reflections, to discuss the decisions we make in the quiet moments of the everyday –

‘I love the quiet, dimly lit painting “Fleeting Moment”, by contemporary South African artist Sasha Hartslief. She employs deft brushstrokes in muted tones to create atmospheres where light and shadow play off one another, tenderly capturing moments plucked from daily life. Moments that remind us of the inherent complexity of living with ourselves. Her characters are rarely aware of a viewer, immersed in their own worlds, but worlds any of us might easily slip into — because they feel like fragments from the simple but layered business of being human.

In “Fleeting Moment”, a slim, solitary woman stands in a pocket of a softly lit room with her back to us. Everything is painted in soft hues of brown, yellow and green. The woman’s hands are on her waist and her head is slightly bent. Her posture suggests a certain disquiet. Pausing to stand in the middle of the room reveals she’s lost in thought about something. Whatever it is, it is likely to require a decision from her on what to say or do next.’