ERIN CHAPLIN
ERIN CHAPLIN, Merry Land
Embroidery on fabric, 22.5 x 16 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Golden Boy
Embroidery on fabric, 22.5 x 18 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, You Ghost
Oil on canvas, 22 x 17 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Caterpillar
Oil on canvas, 20.5 x 15.5 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Brown Flower
Oil on canvas, 21 x 15 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Field (brown grass)
Oil on canvas, 73 x 62 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Field (with blue)
Oil on canvas, 74 x 70 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
ERIN CHAPLIN, Butterfly
Embroidery on fabric, 22 x 17.5 cm
‘I feel like I am living between worlds. Reality, fantasy and my own reality. And time is ticking on in the background. Still life resonates with me because it’s on the clock too. Flowers and fruit can be arranged and painted to live forever but they will die and rot. This comforts me. I don’t want anything to be too perfect or too alive because that’s not realistic.’ Erin Chaplin studies the relationship between the natural and the artificial in her work, striving to capture the poignancy of youth as it fades – fresh fruit and flowers as they slowly rot. In response to the challenging nature of the genre, the floral still-life works are executed in a combination of muted tones and unexpected, contrived colours. The contrast of these tones creates a dynamism in the work that entices and surprises the viewer. In her impasto paintings, a metaphor grows to encapsulate the delicate rawness and vulnerability of the human condition as we grapple with life as it unfolds.
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.