GERHARD MARX, Dwelling Drawing II
plant material and acrylic ground on canvas and board, 70 x 90 cm
Gerhard Marx’s poetic and philosophical visual language is composed through a physical
engagement with distinctive material traditions. His process entails careful acts of dissection
and rearrangement, which allow Marx to engage the poetic potential and philosophical
assumptions of his chosen material in the process of developing original drawing, sculptural
and performative languages. A primary focus in his work engages physical depictions of space
– ‘spatial imaginaries’ – with an interest in how these descriptions of space affect and shape
that which it describes. Marx uses acts of fragmentation and reassembly to construct alternate
and deliberately complicated spatial propositions that aspire to hold multiple positionalities,
doubled presences, folded histories, spaces that exist across, in between, and amongst.