JOHN MURRAY

JOHN MURRAY, Barred

Acrylic on canvas, 55 x 45 cm

John Murray is a South African painter living and working in Cape Town. Finding significance in the contrasting states between the tangible and the imperceptible, playfulness and seriousness, Murray moves between representational and nonrepresentational forms.

Working in oil on canvas as well as in collage and bricolage, the images used in his compositions are often interpretations of found objects and photographs. Some of these images have specific cultural, historical or political significance, while others are trivia collected from the artist’s everyday surroundings. These composite images or compositions prompt viewerspecific responses and associations, with the juxtaposition of images acting as triggers or catalysts for meaning.

More recently Murray’s work has leaned towards abstraction, not in its purest sense but rendered in a way that still hints at representational forms beneath the surface. These works, originally inspired by the different colours and hues that accumulated on the artists mixing palettes whilst working, have evolved into a series of paintings that allude to structures that simultaneously appear to be in the process of forming and disintegrating.

JOHN MURRAY, Foundation

Acrylic on canvas, 80 x 60 cm

John Murray is a South African painter living and working in Cape Town. Finding significance in the contrasting states between the tangible and the imperceptible, playfulness and seriousness, Murray moves between representational and nonrepresentational forms. Working in oil on canvas as well as in collage and bricolage, the images used in his compositions are often interpretations of found objects and photographs. Some of these images have specific cultural, historical or political significance, while others are trivia collected from the artist’s everyday surroundings. These composite images or compositions prompt viewer specific responses and associations, with the juxtaposition of images acting as triggers or catalysts for meaning. More recently Murray’s work has leaned towards abstraction, not in its purest sense but rendered in a way that still hints at representational forms beneath the surface. These works originally inspired by the different colours and hues that accumulated on the artists mixing pallets while working have evolved in to an ongoing series of paintings that allude structures that are simultaneously in the process of forming or perhaps disintegrating.

JOHN MURRAY, Left Behind

Acrylic on canvas, 60 x 45 cm

John Murray is a South African painter living and working in Cape Town. Finding significance in the contrasting states between the tangible and the imperceptible, playfulness and seriousness, Murray moves between representational and nonrepresentational forms. Working in oil on canvas as well as in collage and bricolage, the images used in his compositions are often interpretations of found objects and photographs. Some of these images have specific cultural, historical or political significance, while others are trivia collected from the artist’s everyday surroundings. These composite images or compositions prompt viewer specific responses and associations, with the juxtaposition of images acting as triggers or catalysts for meaning. More recently Murray’s work has leaned towards abstraction, not in its purest sense but rendered in a way that still hints at representational forms beneath the surface. These works originally inspired by the different colours and hues that accumulated on the artists mixing pallets while working have evolved in to an ongoing series of paintings that allude structures that are simultaneously in the process of forming or perhaps disintegrating.

JOHN MURRAY, Meander

acrylic on wood blocks and canvas, 69 x 58 cm

John Murray is a South African painter living and working in Cape Town. Finding significance in the contrasting states between the tangible and the imperceptible, playfulness and seriousness, Murray moves between representational and nonrepresentational forms. Working in oil on canvas as well as in collage and bricolage, the images used in his compositions are often interpretations of found objects and photographs. Some of these images have specific cultural, historical or political significance, while others are trivia collected from the artist’s everyday surroundings. These composite images or compositions prompt viewer specific responses and associations, with the juxtaposition of images acting as triggers or catalysts for meaning. More recently Murray’s work has leaned towards abstraction, not in its purest sense but rendered in a way that still hints at representational forms beneath the surface. These works originally inspired by the different colours and hues that accumulated on the artists mixing pallets while working have evolved in to an ongoing series of paintings that allude structures that are simultaneously in the process of forming or perhaps disintegrating.