LORIENNE LOTZ
LORIENNE LOTZ, Lay down your arms
Oil and charcoal on canvas, 100 x 120 cm
LORIENNE LOTZ, This is my land
Oil and charcoal on canvas, 50 x 50 cm
LORIENNE LOTZ, Lip service
Oil and charcoal on canvas, 50 x 60 cm
LORIENNE LOTZ, The public 'mon cher' is stupid (after Daumier)
Oil and charcoal on canvas, 140 x 140 cm
LORIENNE LOTZ, Tee-totaller
Oil and charcoal on canvas, 40 x 60 cm
LORIENNE LOTZ, Cross my heart
Oil and Charcoal on Linen , 90 x 90 cm
LORIENNE LOTZ, Sabre Rattler
Oil and charcoal on board, 50 x 60 cm
‘I attempt to re-connect with the deeply embedded narratives which underpin the dichotomies of the contemporary human experience at both a microcosmic and macrocosmic level thus revealing the paradoxes, irony, contrasts, and counter-points that are in constant friction to one another, and yet are always interdependent. It is from this that disparate images arise in which the fragility and instability of our seemingly certain reality is questioned and where the results are deconstructed in an attempt to subvert meaning so as to enable a multifaceted interpretation.’
– Lorienne Lotz
LORIENNE LOTZ, The Belly of the Beast
Oil and charcoal on canvas, 61 x 61 cm
‘I attempt to re-connect with the deeply embedded narratives which underpin the dichotomies of the contemporary human experience at both a microcosmic and macrocosmic level thus revealing the paradoxes, irony, contrasts, and counter-points that are in constant friction to one another, and yet are always interdependent. It is from this that disparate images arise in which the fragility and instability of our seemingly certain reality is questioned and where the results are deconstructed in an attempt to subvert meaning so as to enable a multifaceted interpretation.’
– Lorienne Lotz
LORIENNE LOTZ, After Beuys - Explaining Peace
Oil and Charcoal on Linen , 50 x 40 cm
‘I continue to challenge the process of my artmaking and choice of materials by giving authority to the relevant poignant questions of our times and our very humanness.’
– Lorienne Lotz
Lorienne Lotz currently lives and works in Cape Town. She completed a Postgraduate Diploma in Fine Art at Michaelis UCT 2013. Lotz studied in the 1980’s under Bill Ainslie at the Johannesburg Art Foundation. Rose Shakinovsky and Claire Gavronsky (Rosenclaire’s) annual intensive workshops both in Italy and South Africa have been instrumental in her forging a deeply intuitive material process with an awareness of a formal language.
Lotz was awarded a Sasol New Signatures Merit Award 2014. Her work is held locally and internationally in private and public collections including the Spier Collection and Elllerman House in Cape Town.
LORIENNE LOTZ, Blowing His Own Trumpet
Oil and charcoal on canvas, 50 x 50 cm
‘I continue to challenge the process of my artmaking and choice of materials by giving authority to the relevant poignant questions of our times and our very humanness.’
– Lorienne Lotz
Lorienne Lotz currently lives and works in Cape Town. She completed a Postgraduate Diploma in Fine Art at Michaelis UCT 2013. Lotz studied in the 1980’s under Bill Ainslie at the Johannesburg Art Foundation. Rose Shakinovsky and Claire Gavronsky (Rosenclaire’s) annual intensive workshops both in Italy and South Africa have been instrumental in her forging a deeply intuitive material process with an awareness of a formal language.
Lotz was awarded a Sasol New Signatures Merit Award 2014. Her work is held locally and internationally in private and public collections including the Spier Collection and Elllerman House in Cape Town.
LORIENNE LOTZ, Our Better Angels
Oil and charcoal on canvas, 90 x 90 cm
‘I continue to challenge the process of my artmaking and choice of materials by giving authority to the relevant poignant questions of our times and our very humanness.’
– Lorienne Lotz
Lorienne Lotz currently lives and works in Cape Town. She completed a Postgraduate Diploma in Fine Art at Michaelis UCT 2013. Lotz studied in the 1980’s under Bill Ainslie at the Johannesburg Art Foundation. Rose Shakinovsky and Claire Gavronsky (Rosenclaire’s) annual intensive workshops both in Italy and South Africa have been instrumental in her forging a deeply intuitive material process with an awareness of a formal language.
Lotz was awarded a Sasol New Signatures Merit Award 2014. Her work is held locally and internationally in private and public collections including the Spier Collection and Elllerman House in Cape Town.
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.