MATTHEW HINDLEY
MATTHEW HINDLEY, A Final Look at the Picture
Oil on canvas, 98 x 130 cm
Matthew Hindley’s artistic focus has grown and developed over the years, from portraiture to abstraction and now the exploration of the landscape. A residency at the gardens and wetlands of Leeu Estates in Franschhoek provided the landscape muse for this new direction, and Hindley continued the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he now lives, the forest he and his daughter visited on holiday. Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, Chapter One
Oil on canvas, 75 x 101 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, Death Closes All
oil and acrylic on Italian Cotton, 133 x 95 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, Fresh Grass Swords
oil and acrylic on Italian Cotton, 50 x 92.5 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, Infinite Mortality (The Wetlands)
Oil on canvas, 130 x 97 cm
Matthew Hindley’s artistic focus has grown and developed over the years, from portraiture to abstraction and now the exploration of the landscape. A residency at the gardens and wetlands of Leeu Estates in Franschhoek provided the landscape muse for this new direction, and Hindley continued the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he now lives, the forest he and his daughter visited on holiday. Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, Rainbow of Chaos III / I
oil on Italian polycotton with painted frame, 105 x 92 cm
Matthew Hindley presents a triptych of radiant abstraction. These are vibrant and energetic compositions inspired by the rainbow which the artist describes as “the ecstatic expression of the infinite possibilities of colour”. Hindley’s work occupies a space amongst photography, graphic images, painting and drawing. His abstract works are textured with gestural brushwork, splattered paint and layering that gives each work a three-dimensional quality.
Contact: info@everardlondon.com
MATTHEW HINDLEY, Rainbow of Chaos III / II
oil on Italian polycotton with painted frame, 105 x 92 cm
Matthew Hindley presents a triptych of radiant abstraction. These are vibrant and energetic compositions inspired by the rainbow which the artist describes as “the ecstatic expression of the infinite possibilities of colour”. Hindley’s work occupies a space amongst photography, graphic images, painting and drawing. His abstract works are textured with gestural brushwork, splattered paint and layering that gives each work a three-dimensional quality.
Contact: info@everardlondon.com
MATTHEW HINDLEY, Rainbow of Chaos III / III
oil on Italian polycotton with painted frame, 105 x 92 cm
Matthew Hindley presents a triptych of radiant abstraction. These are vibrant and energetic compositions inspired by the rainbow which the artist describes as “the ecstatic expression of the infinite possibilities of colour”. Hindley’s work occupies a space amongst photography, graphic images, painting and drawing. His abstract works are textured with gestural brushwork, splattered paint and layering that gives each work a three-dimensional quality.
Contact: info@everardlondon.com
MATTHEW HINDLEY, Talk is Cheap
Oil on canvas, 150 x 140 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, The Unsaid
Oil on canvas, 91 x 91 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
MATTHEW HINDLEY, To Strive
oil and acrylic on Italian Cotton, 133 x 95 cm
Matthew Hindley’s artistic focus has grown and developed from portraiture to abstraction and most recently the exploration of landscape. Over time subjects have developed from and continue to bleed into one another as Hindley hones his skills and builds experience.
A residency at the gardens and wetlands of Leeu Estates in Franschhoek, South Africa, provided inspiration for this new departure, and Hindley continues the series, exploring landscapes of personal significance to him: the view from his former studio, the road where he currently lives, the forest he and his daughter visited on holiday.
Hindley refers to these works as Memoryscapes – the scenes are laden with his personal memories as well as the significance assigned to them from the wider communities who treasure and protect the important places of outstanding natural beauty. Vibrant, luminous and teeming with life, the paintings do not claim ownership of the landscapes but rather proclaim an intense love for their subjects.
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.