PHILIP BARLOW

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PHILIP BARLOW, rhythm II

Oil on canvas, 80 x 120 cm

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PHILIP BARLOW, piccadilly

Oil on canvas, 100 x 150 cm

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PHILIP BARLOW, circus

Oil on canvas, 100 x 150 cm

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PHILIP BARLOW, circus II

Oil on canvas, 120 x 120 cm

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PHILIP BARLOW, butter

Oil on canvas, 80 x 120 cm

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PHILIP BARLOW, flicker

Oil on canvas, 80 x 120 cm

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PHILIP BARLOW, decelerate

Oil on canvas, 100 x 100 cm

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PHILIP BARLOW, bouyant

Oil on canvas, 100 x 100 cm

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PHILIP BARLOW, angels

Oil on canvas, 100 x 100 cm

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PHILIP BARLOW, echo II

Oil on canvas, 100 x 100 cm

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PHILIP BARLOW, pendant

Oil on canvas, 120 x 120 cm

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PHILIP BARLOW, summer IV

Oil on canvas, 80 x 120 cm

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PHILIP BARLOW, flight

Oil on canvas, 120 x 120 cm

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PHILIP BARLOW, beach

Oil on canvas, 100 x 100 cm

PHILIP BARLOW, dawn electric
2021, Oil on canvas

dawnelectric, slowing a split second at Everard Read London, image courtesy of the artist 120 x 120 cm

Everard Read Philip Barlow Dan Weill Photography

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PHILIP BARLOW, dawn electric, 2021

Oil on canvas, 120 x 120 cm

PHILIP BARLOW, fluorescent
2021, Oil on belgium linen

fluorescent 130cm x 130cm, oil on belgian linen

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PHILIP BARLOW, fluorescent, 2021

Oil on belgium linen, 130 x 130 cm

PHILIP BARLOW, jewels
2021, Oil on canvas

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PHILIP BARLOW, jewels, 2021

Oil on canvas, 100 x 150 cm

Oil on Canvas

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PHILIP BARLOW, jewels ll, 2021

Oil on canvas, 55 x 55 cm

PHILIP BARLOW, liquid
2021, Oil on canvas

liquid, slowing a split second at Everard Read London, image courtesy of the artist

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PHILIP BARLOW, liquid, 2021

Oil on canvas, 120 x 120 cm

PHILIP BARLOW, meteor
2021, Oil on canvas

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PHILIP BARLOW, meteor, 2021

Oil on canvas, 120 x 120 cm

PHILIP BARLOW, midnight
2021, Oil on canvas

midnight slowing a split second at Everard Read London, image courtesy of the artist, 100 x 150 cm

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PHILIP BARLOW, midnight, 2021

Oil on canvas, 100 x 150 cm

PHILIP BARLOW, midnight ll
2021, Oil on canvas

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PHILIP BARLOW, midnight ll , 2021

Oil on canvas, 80 x 120 cm

PHILIP BARLOW, offshore
2021, Oil on canvas

offshore, slowing a split second at Everard Read London, image courtesy of the artist, 80 x 120 cm

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PHILIP BARLOW, offshore, 2021

Oil on canvas, 80 x 120 cm

PHILIP BARLOW, sapphire
2021, Oil on canvas

sapphire, slowing a split second at Everard Read London, image courtesy of the artist 80 x 120 cm

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PHILIP BARLOW, sapphire, 2021

Oil on canvas, 80 x 120 cm

PHILIP BARLOW, silvershore
2021, Oil on canvas

silvershore, slowing a split second at Everard Read London, image courtesy of the artist, 80 x 120 cm

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PHILIP BARLOW, silvershore, 2021

Oil on canvas, 80 x 120 cm

PHILIP BARLOW, soaked
2021, Oil on canvas

soaked, slowing a split second at Everard Read London, image courtesy of the artist, 100 x 150 cm

EDIT Everard Read Philip Barlow Dan Weill Photography

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PHILIP BARLOW, soaked, 2021

Oil on canvas, 100 x 150 cm

PHILIP BARLOW, tangerine
2021, Oil on canvas

tangerine, slowing a split second at Everard Read London, image courtesy of the artist, 120 x 120 cm

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PHILIP BARLOW, tangerine, 2021

Oil on canvas, 120 x 120 cm

PHILIP BARLOW, traffic
2021, Oil on canvas

traffic, slowing a split second at Everard Read London, image courtesy of the artist, 55 x 55 cm

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PHILIP BARLOW, traffic, 2021

Oil on canvas, 55 x 55 cm

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PHILIP BARLOW, billie

Oil on linen, 120 x 80 cm

Philip Barlow describes his work as a step towards abstraction. It is primarily the exploration of light and the relationship of colour, where he first captures his images with a camera and then translates them into a painted format. He is interested in the concept of capturing ‘the moment’, a millisecond in time when everything lines up perfectly. ‘Although I work within a long tradition of landscape painting, my depiction of the ‘seen’ landscape is simply a vehicle through which I navigate territory of another nature. A landscape less ordinary; where the line between the physical and the spiritual realm has seemingly been removed. However, these scenarios are not intended to be of a surreal nature. Hopefully they will seem curiously familiar and convincingly real.’

PHILIP BARLOW, blue on long
Oil on canvas

blue on long, slowing a split second at Everard Read London, image courtesy of the artist, 80 x 120 cm

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PHILIP BARLOW, blue on long

Oil on canvas, 80 x 120 cm

glow iv 80cm x 80cm oil on linen med res

Summer Light Group Show ERL (c) Damian Griffiths LR (49)

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PHILIP BARLOW, glow IV

Oil on linen, 80 x 80 cm

Philip Barlow describes his work as a step towards abstraction. It is primarily the exploration of light and the relationship of colour, where he first captures his images with a camera and then translates them into a painted format. He is interested in the concept of capturing ‘the moment’, a millisecond in time when everything lines up perfectly. ‘Although I work within a long tradition of landscape painting, my depiction of the ‘seen’ landscape is simply a vehicle through which I navigate territory of another nature. A landscape less ordinary; where the line between the physical and the spiritual realm has seemingly been removed. However, these scenarios are not intended to be of a surreal nature. Hopefully they will seem curiously familiar and convincingly real.’

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