NIGEL MULLINS, VE Day Mass Gathering, 1945, New York
oil on canvas with framed ink and water colour on paper, 140 x 110 cm
NIGEL MULLINS, Gathering in Moscow, 1991
oil on canvas with frame and supawood, 150 x 200 cm
NIGEL MULLINS, Gay Pride, Sao Paulo
Oil on canvas, 120 x 180 cm
Nigel Mullins’ paintings achieve immediacy and presence through the artist’s thick impasto and use of colour. The paintings take on an almost sculptural quality due to the thick application of paint and Mullins’ tendency to embellish and distress the frames of the works. His work explores the cultural significance of the icon in all its forms, and how cultural iconography has developed from before the Renaissance to the seminal moments of the 20th century.
Mullins has become known for his vivid and compelling scenes of recent and historic gatherings that have become momentous and iconic. His painterly exploration of these crowd scenes makes use of sumptuous impasto, veering between figuration and abstraction. Some of their power lies in their ability to capture the Instagram-able images of mass gatherings that characterise our era. The canvases, with their vertiginous vantage point and lashings of paint, both sensual and viscous, give the sensation of soaring above the crowd.
Mullins’ work has been represented in art fairs in Africa and Europe as well as Mumia International Underground Animation Festival, Brazil. His work is held in public and private collections in South Africa, the UK and Europe.
NIGEL MULLINS, Goddess of Democracy, 1989
Oil on superwood and frame with copper, 147 x 76 cm
NIGEL MULLINS, Dog from the Roman Empire, c 1st Century BC
oil on supawood, frames and copper wire, 45 x 64 cm
NIGEL MULLINS, Horse Frightened by a Lion, after, George Stubbs, 1770
Oil on Supawood & Frame, 53 x 63 cm
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.