Blessing Ngobeni exhibits work in LA Frieze 2024.

Theo Meranze writes for Elephant Art:

'Utilizing imagery inspired and taken from South African media, his multi-layered pieces function as social critique and historiography: their subtle, abstracted bodies containing the imagistic and material pillars of his society’s marred unconscious [...] In an interview conducted in 2020 and published in Iliso Magazine, Ngobeni refers to himself as a “visual dancer.” It’s easy to see why— there is a striking movement to his work, one that Pirouettes through time and place with a sharp historical perspective.'

Read more here.