ANNA MALVISI WHITE
ANNA MALVISI WHITE, Capulet
Bronze, 14 x 74 x 7 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
ANNA MALVISI WHITE, Chyka
Bronze on brass sheet base, 40.5 x 40 x 12 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
ANNA MALVISI WHITE, Dove - Looking Down
Bronze, 54 x 20 x 20 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
ANNA MALVISI WHITE, Dove - Looking Up
Bronze, 31.5 x 23 x 23 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
ANNA MALVISI WHITE, Glissando
Bronze, 75 x 7.5 x 12.5 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
ANNA MALVISI WHITE, Mermaid
Bronze, 26 x 30.5 x 20 cm
Anna Malvisi White spent most of her childhood holidays in the British museum sketching the toga draped Romans, muscular Greek Gods and stylised ancient Egyptian carvings – gaining an appreciation for the art of sculpting and a desire to learn the skills. In the mid-80s she enrolled in a life drawing and clay modelling class in London where she was taught to study the shape and volume of every bone, muscle, and sinew of the human body. While studying she tried stone carving, learning the skills that she still implements in her work today.
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.