GERHARD MARX, A SLANT LIGHT
RECONFIGURED MAP FRAGMENTS ON ACRYLIC GROUND AND CANVAS, 100 x 120 cm (39 1/4 x 47 1/8 in.)
GERHARD MARX, CAVE
RECONFIGURED MAP FRAGMENTS ON ACRYLIC GROUND AND CANVAS, 100 x 120 cm (39 1/4 x 47 1/8 in.)
GERHARD MARX, CROSSING
RECONFIGURED MAP FRAGMENTS ON ACRYLIC-POLYURETHANE GROUND AND CANVAS, 70 x 90 cm (27 1/2 x 35 3/8 in.)
GERHARD MARX, DISTANCE WORN THIN
PLANT MATERIAL & ACRYLIC GROUND ON BOARD, 52 x 62 cm (20 3/8 x 24 3/8 in.)
GERHARD MARX, DISTANT (COIL)
PIGMENT INKS ON ARCHIVAL PAPER, 200 x 180 cm (78 5/8 x 70 3/4 in.)
GERHARD MARX, DISTANT (SPOOL)
PIGMENT INKS ON ARCHIVAL PAPER, 200 x 180 cm (78 5/8 x 70 3/4 in.)
GERHARD MARX, Dwelling Drawing I
plant material and acrylic ground on canvas and board, 70 x 90 cm
Gerhard Marx’s poetic and philosophical visual language is composed through a physical engagement with distinctive material traditions. His process entails careful acts of dissection and rearrangement, which allow Marx to engage the poetic potential and philosophical assumptions of his chosen material in the process of developing original drawing, sculptural and performative languages. A primary focus in his work engages physical depictions of space – ‘spatial imaginaries’ – with an interest in how these descriptions of space affect and shape that which it describes. Marx uses acts of fragmentation and reassembly to construct alternate and deliberately complicated spatial propositions that aspire to hold multiple positionalities, doubled presences, folded histories, spaces that exist across, in between, and amongst.
GERHARD MARX, Dwelling Drawing II
plant material and acrylic ground on canvas and board, 70 x 90 cm
Gerhard Marx’s poetic and philosophical visual language is composed through a physical engagement with distinctive material traditions. His process entails careful acts of dissection and rearrangement, which allow Marx to engage the poetic potential and philosophical assumptions of his chosen material in the process of developing original drawing, sculptural and performative languages. A primary focus in his work engages physical depictions of space – ‘spatial imaginaries’ – with an interest in how these descriptions of space affect and shape that which it describes. Marx uses acts of fragmentation and reassembly to construct alternate and deliberately complicated spatial propositions that aspire to hold multiple positionalities, doubled presences, folded histories, spaces that exist across, in between, and amongst.
GERHARD MARX, FOUR INTERSECTING EXCAVATIONS (A CARTOGRAPHY OF CAVITIES)
RECONFIGURED MAP FRAGMENTS ON CANVAS, 100 x 120 cm (39 1/4 x 47 1/8 in.)
GERHARD MARX, NEARFAR OBJECT
BEECH WOOD WITH MILK PAINT, 60 x 120 x 170 cm (23 1/2 x 47 1/8 x 66 7/8 in.)
GERHARD MARX, PARTICLES
RECONFIGURED MAP FRAGMENTS ON CANVAS, 140 x 180 cm (55 x 70 3/4 in.)
GERHARD MARX, RAFT CARTOGRAPHY
RECONFIGURED MAP FRAGMENTS ON CANVAS, 180 x 220 cm (70 3/4 x 86 1/2 in.)
GERHARD MARX, SOLID OBJECTS I
RECONFIGURED MAP FRAGMENTS ON CANVAS, 50 x 60 cm (19 5/8 x 23 1/2 in.)
GERHARD MARX, SOLID OBJECTS II
RECONFIGURED MAP FRAGMENTS ON CANVAS, 50 x 60 cm (19 5/8 x 23 1/2 in.)
GERHARD MARX, SPATIAL SCRIBBLE I
RECONFIGURED MAP FRAGMENTS ON CANVAS, 50 x 60 cm (19 5/8 x 23 1/2 in.)
GERHARD MARX, STONES
RECONFIGURED MAP FRAGMENTS ON CANVAS, 100 x 120 cm (39 1/4 x 47 1/8 in.)
GERHARD MARX, THE SAME PLACE EXCAVATED THREE TIMES (A CARTOGRAPHY OF CAVITIES)
RECONFIGURED MAP FRAGMENTS ON CANVAS, 100 x 120 cm (39 1/4 x 47 1/8 in.)
Specialists in contemporary art from South Africa. Established in 1913. South African artists are part of the global conversation. We seek to make their voices heard.