Everard Read I CIRCA Gallery will present a solo exhibition of work by Colbert Mashile at the 1:54 Contemporary African Art Fair. Colbert is an artist who has developed a unique iconographical language within South African art, often dealing with the mystical, mythological and archaic elements of traditional African culture and its legacy in present-day life.

In South Africa, hundreds of thousands of children die from AIDS every year. CHIVA Africa sends teams of highly skilled volunteer doctors, nurses, psychologists, pharmacists and dietitians from South Africa and the UK to provide targeted, on-site mentoring, teaching, assessment and quality improvement support to health facilities across South Africa. By sharing their knowledge and experience they greatly increase the impact of local frontline staff help them to achieve their ultimate goal – a long and healthy life for all children and adolescents. 

 “We work with South African healthcare professionals, providing on-site mentoring and teaching to equip them with the skills and knowledge they need to provide high quality, long term care for children and adolescents living with HIV. ” Stephen Harvey, CHIVA Africa CEO

Funds raised from the sale of these spectacular chairs at Everard Read London will support the work of CHIVA Africa - a leading AIDS charity focused on improving the lives of children and teenagers living with HIV in South Africa

The recently published 'A Voyage To The Interior' explores the paintings of Gary James as well as introducing the remarkable work of his son Alexander James. 

John Meyer, a leading South African artist who is represented by Everard Read Galleries, was recently commissioned to paint Queen Elizabeth II. With his usual attention to detail (and one eye on the historical narrative). Meyer, mindful of her 90th birthday, chose to conjure an image of her 69 years ago as a young princess, riding on a beach in South Africa in 1947, in what must have been a rare moment of unbridled freedom for the young woman who was to become the world’s oldest reigning monarch, as well as Britain's longest-lived.

Queen Elizabeth II, during her 64 year reign, is the most portrayed human in recorded history, by no lesser artists than Lucian Freud and Andy Warhol. Meyer's remarkable portrayal adds to this tradition. One can only imagine how this invocation of a time so utterly different from the present must have been received. It is hoped that this unique painting will find its way to one of her special homes.

Emalie Bingham is the subject of an interview feature, and video, with Louise McCann on Between 10 and 5.

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 A Short Q & A with sculptor William Peers on working with marble and his latest solo exhibition at Everard Read London, The Space Between.

Liza Grobler  Impression: Dusk II ,  Impression Dusk III

Denby Meyer  Valdemosa Cafe 

Penelope Stutterheime Refuge IV

Alessandro Papetti has created a limited edition of 20 catalogues capturing his most recent works. Handbound and printed on beautiful paper, each catalogue is numbered and signed and includes an original painting on paper (30 x 40 cm). 

View one of the catalogues here.

[The painter’s studio in Milan, a winter’s afternoon. The rain is pouring on the glass roof.]

Pia Capelli: This is a turning point in your work. While in your most recent exhibition, “La pelle attraverso,” you focused on the border between the Self and the world, here you have “come back,” showing landscapes that are closer to mental spaces. I know that these works are the result of a long period of transformation. What is changing in your work?

Alessandro Papetti: I used to work on motionless things, finite thoughts: I would use my way of painting, my quick gestures, to animate the object and give it a sense of movement and speed. Now, instead, I’m working on the flow of my thoughts as they come to me, when the idea is being conceived. This has a great deal to do with memory, which usually offers images of objects that are complete and finished. Anticipating memory is impossible, I know, but it is as if over these last few months of work all I had to do was try to steal milliseconds to be able to paint the moment when an idea, a thought, is born. It was not a rational attempt; it was the need to follow, or anticipate, the flow of my thoughts. 

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Paolo Bini: Beyond the Painting at Everard Read Cape Town, is featured on ABC Arte. 

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