Daniel Naudé has been selected as one of the award winners for the 6th edition of the Life Framer Photography Prize in the Youth-hood category. This is a unique photography competition and a renowned platform for discovering and exhibiting contemporary photography worldwide. 

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Blessing Ngobeni and Teresa Kutala Firmino are the subject of an artist profile by Kerri von Geusau on Nataal.

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SUMMER 2020

17 July - 26 August 2020

Everard Read London presents its annual SUMMER exhibition - new paintings and sculpture by 20 artists, primarily from South Africa and the diaspora, but also from England, France and Italy.

The exhibition includes work by established artists at the peak of their powers, as well as younger artists beginning to make their mark.

Most works have been made during the period of lockdown imposed in many countries around the world in response to the pandemic. While the rhythm of life has changed for many of us, days of isolation are the preserve of artists for most of the time. Even so, many artists have reflected on the silent skies, empty streets and stillness around them, amplified by the consoling swell of birdsong.

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On the occassion of Chaotic Pleasure, an online presentation of the artist's body of work for the National Arts Festival, Blessing Ngoebeni is the subject of an interview with Elme Strydom on The South African.

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AGAINST INTERPRETATION? 

1 June - 10 July 2020

SANELL AGGENBACH | BONITA ALICE | EMALIE BINGHAM | WILMA CRUISE  |  CLAUDE JAMMET | KILMANY-JO LIVERSAGE | TURIYA MAGADLELA | LUCINDA MUDGE | TANYA POOLE | LADY SKOLLIE

Everard Read London brings together 10 artists, living and working in South Africa and the diaspora, from a range of backgrounds, ages, ethnicities and artistic practices, for a group exhibition entitled Against Interpretation?

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INSIDE THE ARTIST’S STUDIO
Essay by Wilma Cruise


1984 Fight or Flight: Apocalypse Now? Recycle Re-use Re-con(figure)

Cruise’s sculptures, etchings, drawings, and writing jointly thematise the process of making art — something both physical and mindful; involving materials near at hand, yet also artistic solutions that seem way out of reach...

INSIDE THE ARTIST’S STUDIO
Q&A with Bonita Alice


We’re looking at your works which will be part of a group exhibition in London entitled Against Interpretation? Please tell us a bit about how these works came into being – what was the starting point?

What lies behind the Sorry Series is the idea that we are aware… that we know and see…. selectively. We select both consciously and unconsciously in order to protect ourselves from too much of that which challenges us or make us uncomfortable in some way...

INSIDE THE ARTIST’S STUDIO
Q&A with Lucinda Mudge

We’re looking at your works which will be part of a group Exhibition in London entitled Against Interpretation? Please tell us a bit about how these works came into being – what was the starting point?

My pieces are natural developments in terms of my skill as a maker...

INSIDE THE ARTIST’S STUDIO
Q&A with Kilmany-Jo Liversage


We’re looking at your works which will be part of a group exhibition in London entitled Against Interpretation? Please tell us a bit about how these works came into being – what was the starting point?

Portraying females as confrontational beings, eyeing the viewer with mistrust. Re-interpreting what being a female means in this century...

Lady Skollie, on the occassion of an online initiative at Everard Read Johannesburg, From the Archives, is the subject of a feature with images on Rosebank Killarney Gazette

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