Beezy Bailey, on the occassion of his book launch at Everard Read London, is the subject of an interview with London Live

Barbara Wildenboer: Folly is featured, with image of Flights of Fancy, in a roundup of art events in the March issue of Sloane Square

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Everard Read Cape Town exhibits at Investec Cape Town Art Fair 2019, exhibiting works by artists including Brett Murray, Deborah Bell, Blessing Ngobeni, Nigel Mullins, Andrzej Urbanski, Beezy Bailey and Beth Diane Armstrong.

Brett Murray: Hide at Everard Read Cape Town is reviewed by Melvyn Minnaar on Business Live

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Everard Read London presents

Daniel Naudé  A Decade of Seeing

13 February - 1 March 2019

"The animal has secrets which, unlike the secrets of caves, mountains, seas, are specifically addressed to man."- John Berger, Why Look at Animals?

Everard Read London is pleased to present A Decade of Seeing by acclaimed South African photographer, Daniel Naudé.

Over the past decade, Naudé has practised capturing and perfecting moments of stillness in nature. This exhibition encompasses a critical selection of works from his recent projects: Animal Farm (2007-2012), Sightings of the Sacred: Cattle in Uganda, Madagascar and India (2012-2014), Cattle of the Ages – Ankole cattle in South Africa - a project with South African President, Cyril Ramaphosa (2017) as well as his newest works of Xhosa cattle on the shore of the Eastern Cape, South Africa.

Nelson Makamo, on the occasion of his cover page image Visions of a limitless future in Time magazine, is the subject of a feature by Ciara Nugent.

For the full article click here. 

Kilmany-Jo Liversage is the subject of a profile, discussing her activism and the role of art, on East Coast Radio. 

 For the full article follow here. 

Everard Read London artist Beezy Bailey's upcoming Book is featured in the December - January issue of Designing Ways. 

To read the full article follow here.

To pre-order book follow here.

'There is No Time Like the Present' is a large-scale, site-specific sculpture made by Rina Stutzer for the Mall of Africa in Midrand (near Johannesburg).
 
The sculptures, at a height of 5.5m, represent the two faces of Africa: the line sculpture represents an Africa rooted in tradition; the bare bones of a continent that holds us all together. The second sculpture, built from mirror-finish stainless steel, allows us to see the wealth of opportunity and the inherent potential that lies within all of us.

Blessing Ngobeni, on the occasion of A Note From Error at Everard Read Johannesburg, is the subject of an interview feature on Mail&Guardian

 For the full interview click here.